Monday, May 18, 2020

The Life and Works of Marquis de Sade (Part I)

Donatien Alphonse François, Marquis de Sade (French: [dɔnasjɛ̃ alfɔ̃z fʁɑ̃swa, maʁki də sad]; 2 June 1740 – 2 December 1814), was a French nobleman, revolutionary politician, philosopher, and writer, famous for his libertine sexuality. His works include novels, short stories, plays, dialogues, and political tracts. In his lifetime some of these were published under his own name while others, which Sade denied having written, appeared anonymously. Sade is best known for his erotic works, which combined philosophical discourse with pornography, depicting sexual fantasies with an emphasis on violence (particularly against women and children), suffering, criminality and blasphemy against Christianity. He became infamous for his numerous sexual crimes and abuse against young men, women and children.  He claimed to be a proponent of absolute freedom, unrestrained by morality, religion or law. The words sadism and sadist are derived from his name.

Sade was incarcerated in various prisons and an insane asylum for about 32 years of his life: 11 years in Paris (10 of which were spent in the Bastille), a month in the Conciergerie, two years in a fortress, a year in Madelonnettes Convent, three years in Bicêtre Asylum, a year in Sainte-Pélagie Prison, and 12 years in the Charenton Asylum. During the French Revolution, he was an elected delegate to the National Convention. Many of his works were written in prison.

There continues to be a fascination with Sade among scholars and in popular culture. Prolific French intellectuals such as Roland Barthes, Jacques Lacan, Jacques Derrida and Michel Foucault published studies of him.  On the other hand the French hedonist philosopher Michel Onfray has attacked this cult, writing that "It is intellectually bizarre to make Sade a hero."  There have also been numerous film adaptions of his work, the most notable being Pasolini's Salò, or the 120 Days of Sodom, an adaptation of his infamous book, The 120 Days of Sodom.

Life

Early life and education

De Sade was born on 2 June 1740, in the Hôtel de Condé, Paris, to Jean Baptiste François Joseph, Count de Sade and Marie Eléonore de Maillé de Carman, distant cousin and Lady-in-waiting to the Princess of Condé. He was his parents' only surviving child.  He was educated by an uncle, the Abbé de Sade. In Sade's youth, his father abandoned the family; his mother joined a convent.  He was raised by servants who indulged "his every whim," which led to his becoming "known as a rebellious and spoiled child with an ever-growing temper."

Later in his childhood, Sade was sent to the Lycée Louis-le-Grand in Paris, a Jesuit college, for four years.  While at the school, he was tutored by Abbé Jacques-François Amblet, a priest.  Later in life, at one of Sade's trials the Abbé testified, saying that Sade had a "passionate temperament which made him eager in the pursuit of pleasure" but had a "good heart."   At the Lycée Louis-le-Grand, he was subjected to "severe corporal punishment," including "flagellation," and he "spent the rest of his adult life obsessed with the violent act."  At age 14, Sade began attending an elite military academy.

After 20 months of training, on 14 December 1755, at age 15, Sade was commissioned as a sub-lieutenant, becoming a soldier.  After 13 months as a sub-lieutenant, he was commissioned to the rank of cornet in the Brigade de S. André of the Comte de Provence's Carbine Regiment.  He eventually became Colonel of a Dragoon regiment and fought in the Seven Years' War. In 1763, on returning from war, he courted a rich magistrate's daughter, but her father rejected his suitorship and instead arranged a marriage with his elder daughter, Renée-Pélagie de Montreuil; that marriage produced two sons and a daughter.  In 1766, he had a private theatre built in his castle, the Château de Lacoste, in Provence. In January 1767, his father died.

Title and heirs

The men of the Sade family alternated between using the marquis and Comte (count) titles. His grandfather, Gaspard François de Sade, was the first to use marquis; occasionally, he was the Marquis de Sade, but is identified in documents as the Marquis de Mazan. The Sade family were noblesse d'épée, claiming at the time the oldest, Frank-descended nobility, so assuming a noble title without a King's grant, was customarily de rigueur. Alternating title usage indicates that titular hierarchy was notional; theoretically, the marquis title was granted to noblemen owning several countships, but its use by men of dubious lineage caused its disrepute. At Court, precedence was by seniority and royal favor, not title. There is father-and-son correspondence, wherein father addresses son as marquis.

For many years, Sade's descendants regarded his life and work as a scandal to be suppressed. This did not change until the mid-twentieth century, when the Comte Xavier de Sade reclaimed the marquis title, long fallen into disuse, on his visiting cards, and took an interest in his ancestor's writings. At that time, the "divine marquis" of legend was so unmentionable in his own family that Xavier de Sade only learned of him in the late 1940s when approached by a journalist.  He subsequently discovered a store of Sade's papers in the family château at Condé-en-Brie, and worked with scholars for decades to enable their publication. His youngest son, the Marquis Thibault de Sade, has continued the collaboration. The family has also claimed a trademark on the name.  The family sold the Château de Condé in 1983.  As well as the manuscripts they retain, others are held in universities and libraries. Many, however, were lost in the eighteenth and nineteenth centuries. A substantial number were destroyed after Sade's death at the instigation of his son, Donatien-Claude-Armand.

Scandals and imprisonment

Sade lived a scandalous libertine existence and repeatedly procured young prostitutes as well as employees of both sexes in his castle in Lacoste. He was also accused of blasphemy, a serious offense. His behavior also included an affair with his wife's sister, Anne-Prospère, who had come to live at the castle.

Beginning in 1763, Sade lived mainly in or near Paris. Several prostitutes there complained about mistreatment by him and he was put under surveillance by the police, who made detailed reports of his activities. After several short imprisonments, which included a brief incarceration in the Château de Saumur (then a prison), he was exiled to his château at Lacoste in 1768.

The first major scandal occurred on Easter Sunday in 1768, in which Sade procured the services of a woman, Rose Keller,] a widow-beggar who approached him for alms. He told her she could make money by working for him—she understood her work to be that of a housekeeper. At his chateau at Arcueil, Sade ripped her clothes off, threw her on a divan and tied her by the four limbs, face-down, so that she could not see behind her. Then he whipped her. Keller testified that he made various incisions on her body into which he poured hot wax, although investigators found no broken skin on Keller, and Sade explained that he had applied ointment to her after the whipping. Keller finally escaped by climbing out of a second-floor window and running away. The Sade family paid the maid to keep her quiet, but the wave of social embarrassment damaged Sade's reputation.  La Présidente, Sade's mother-in-law, obtained a lettre de cachet (a royal order of arrest and imprisonment, without stated cause or access to the courts) from the King, protecting Sade from the jurisdiction of the courts. The lettre de cachet would later prove disastrous for the marquis.

Four years later, in 1772, Sade would commit further acts with four prostitutes and his manservant, Latour.  That episode in Marseille involved the non-lethal drugging of prostitutes with the supposed aphrodisiac Spanish fly and sodomy with Latour. The two men were sentenced to death in absentia for sodomy and the poisoning. They fled to Italy, Sade taking his wife's sister with him. Sade and Latour were caught and imprisoned at the Fortress of Miolans in French Savoy in late 1772, but escaped four months later.

Sade later hid at Lacoste where he rejoined his wife, who became an accomplice in his subsequent endeavors.  In 1774, Sade trapped six children, including one boy, in his chateau for six weeks during which time he subjected them to abuse, which his wife allowed.  He kept a group of young employees at the chateau, most of whom complained about molestation and quickly left his service. Sade was forced to flee to Italy once again. It was during this time he wrote Voyage d'Italie. In 1776, he returned to Lacoste, again hired several servant girls, most of whom soon fled. In 1777, the father of one of those employees went to Lacoste to claim his daughter, and attempted to shoot the Marquis at point-blank range, but the gun misfired.

Later that year, Sade was tricked into going to Paris to visit his supposedly ill mother, who in fact had recently died. He was arrested and imprisoned in the Château de Vincennes. He successfully appealed his death sentence in 1778 but remained imprisoned under the lettre de cachet. He escaped but was soon recaptured. He resumed writing and met fellow prisoner Comte de Mirabeau, who also wrote erotic works. Despite this common interest, the two came to dislike each other intensely.

In 1784, Vincennes was closed, and Sade was transferred to the Bastille. The following year, he wrote the manuscript for his magnum opus Les 120 Journées de Sodome (The 120 Days of Sodom), which he wrote in minuscule handwriting on a continuous roll of paper he rolled tightly and placed in his cell wall to hide. He was unable to finish the work; on 4 July 1789, he was transferred "naked as a worm" to the insane asylum at Charenton near Paris, two days after he reportedly incited unrest outside the prison by shouting to the crowds gathered there, "They are killing the prisoners here!" Sade was unable to retrieve the manuscript before being removed from the prison. The storming of the Bastille, a major event of the French Revolution, occurred ten days after Sade left, on 14 July. To his despair, he believed that the manuscript was destroyed in the storming of the Bastille, though it was actually saved by a man named Arnoux de Saint-Maximin two days before the Bastille was attacked. It is not known why Saint-Maximin chose to bring the manuscript to safety, nor indeed is anything else about him known.  In 1790, Sade was released from Charenton after the new National Constituent Assembly abolished the instrument of lettre de cachet. His wife obtained a divorce soon afterwards.

Return to freedom, delegate to the National Convention, and imprisonment

During Sade's time of freedom, beginning in 1790, he published several of his books anonymously. He met Marie-Constance Quesnet, a former actress with a six-year-old son, who had been abandoned by her husband. Constance and Sade stayed together for the rest of his life.

He initially adapted the new political order after the revolution, supported the Republic, called himself "Citizen Sade", and managed to obtain several official positions despite his aristocratic background.

Because of the damage done to his estate in Lacoste, which was sacked in 1789 by an angry mob, he moved to Paris. In 1790, he was elected to the National Convention, where he represented the far left. He was a member of the Piques section, notorious for its radical views. He wrote several political pamphlets, in which he called for the implementation of direct vote. However, there is much evidence suggesting that he suffered abuse from his fellow revolutionaries due to his aristocratic background. Matters were not helped by his son's May 1792 desertion from the military, where he had been serving as a second lieutenant and the aide-de-camp to an important colonel, the Marquis de Toulengeon. Sade was forced to disavow his son's desertion in order to save himself. Later that year, his name was added—whether by error or willful malice—to the list of émigrés of the Bouches-du-Rhône department.

While claiming he was opposed to the Reign of Terror in 1793, he wrote an admiring eulogy for Jean-Paul Marat.  At this stage, he was becoming publicly critical of Maximilien Robespierre and, on 5 December, he was removed from his posts, accused of moderatism, and imprisoned for almost a year. He was released in 1794 after the end of the Reign of Terror.

In 1796, now completely destitute, he had to sell his ruined castle in Lacoste.

Imprisonment for his writings and death

In 1801, Napoleon Bonaparte ordered the arrest of the anonymous author of Justine and Juliette.  Sade was arrested at his publisher's office and imprisoned without trial; first in the Sainte-Pélagie Prison and, following allegations that he had tried to seduce young fellow prisoners there, in the harsh Bicêtre Asylum.

After intervention by his family, he was declared insane in 1803 and transferred once more to the Charenton Asylum. His ex-wife and children had agreed to pay his pension there. Constance, pretending to be his relative, was allowed to live with him at Charenton. The director of the institution, Abbé de Coulmier, allowed and encouraged him to stage several of his plays, with the inmates as actors; to be viewed by the Parisian public Coulmier’s novel approaches to psychotherapy attracted much opposition. In 1809, new police orders put Sade into solitary confinement and deprived him of pens and paper. In 1813, the government ordered Coulmier to suspend all theatrical performances.

Sade began a sexual relationship with 14-year-old Madeleine LeClerc, daughter of an employee at Charenton. This affair lasted some four years, until his death in 1814.

He had left instructions in his will forbidding that his body be opened for any reason whatsoever, and that it remain untouched for 48 hours in the chamber in which he died, and then placed in a coffin and buried on his property located in Malmaison near Épernon. These instructions were not followed; he was buried at Charenton. His skull was later removed from the grave for phrenological examination.  His son had all his remaining unpublished manuscripts burned, including the immense multi-volume work Les Journées de Florbelle.

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