Wednesday, September 30, 2020

Happy Birthday: September 30, 2020

 


Johnny Mathis, 85

Barry Williams, 66

Fran Drescher, 63

Eric Stoltz, 59

Trey Anastasio, 56

Jenna Elfman, 49

Marion Cotilliard, 45

Lacey Chabert, 38

Angie Dickinson, 89

Cissy Houston,87

Len Cariou, 81

Marilyn McCoo, 77

Sylvia Peterson, 74

Vondie Curtis-Hall, 70

Victoria Tennant, 70

John Finn, 68

John Lombardo, 68

Debra Allen, 67

Calvin Levels, 66

Patrice Rushen, 66

Debrah Farentino, 61

Crystal Bernard, 59

Marley Marl, 58

Eddie Montgomery, 57

Robby Takac, 56

Lisa Thornhill, 54

Andrea Roth, 53

Amy Landecker, 51

Silas Weir Mitchell, 52

Tony Hale, 50

Ashley Hamilton, 46

Christopher Jackson, 45

Stark Sands, 42

Mike Damus, 42

Toni Trucks, 40

Kieran Culkin, 38

T-Pain, 36

Martina Hingis, 49

Dominique Moceanu, 39

William Wrigley, Jr. (September 30, 1861-January 26, 1932)

Buddy Rich (September 30, 1917-April 2, 1987)

Truman Capote (September 30, 1924-August 25, 1984)

 


Tuesday, September 29, 2020

Happy Birthday: September 29, 2020

 



Jerry Lee Lewis, 85

Ian McShane, 78

Chrissy Metz, 40

Kelly McCreary, 39

Phillip Phillips, 39

Richard Bonynge, 90

Robert Benton, 88

Sherman Holmes, 81

Jean-Luc Ponty, 78

Mike Post, 76

Patricia Hodge, 74

Bryant Gumbel, 72

Mike Pinera, 72

Alvin Crow, 70

Drake Hogestyn, 67

Suzzy Roche, 64

John Payne, 62

Roger Bart, 58

Les Claypool, 57

Jill Whelan, 54

Ben Miles, 54

Luke Goss, 52

Brad Smith, 52

Erika Eleniak, 51

Devante Swing, 51

Brad Cotter, 50

Emily Lloyd, 50

Natasha Gregson Wagner, 50

Rachel Cronin, 49

Danick Dupelle, 47

Alexis Cruz, 46

Zachary Levi, 40

Katie McNeill, 38

Josh Farro, 33

Doug Brocha, 30

Halsey, 26

Clara Marnet, 26

Lech Walesa, 77

Kevin Durant, 31

Pompey the Great (September 29, 106 B.C.-September 28, 48 B.C.)

Miguel de Cervantes (September 29, 1547-April 22, 1616)

Michelangelo Merisi de Caravaggio (September 29, 1571-July 18, 1610)

Horatio Nelson (September 29, 1758-October 2, 1805)

Enrico Fermi (September 29, 1901-November 28, 1954)

Happy Birthday: September 28, 2020

 



Janeane Garofalo, 56

Mira Sorvino, 53

Naomi Watts, 52

Hilary Duff, 33

Brigitte Bardot, 86

Joel Higgins, 77

Helen Shapiro, 74

Vernee Watson, 71

John Sayles, 70

George Lynch, 66

C.J. Chenier, 63

Steve Hytner, 61

Matt King, 54

Moon Zappa, 53

Carre Otis, 52

Karen Fairchild, 51

A. J. Croce, 49

Mandy Barnett, 45

Young Jeezy, 43

Peter Cambor, 43

Bam Margera, 41

Melissa Claire Egan, 39

Jerrika Hinton, 39

Luke Mossman, 39

St. Vincent, 38

Phoebe Robinson, 36

Daniel Platzman, 34

Keir  Gilchrist, 28

Janet Evans, 59

Confucius (September 28, 551 B.C.-April 11, 479 B.C.)

Ed Sullivan (September 28, 1901-October 13, 1974)

Rod Roddy (September 28, 1937-October 27, 2003)

Ben E. King (September 28, 1938-April 30, 2015)

Happy Birthday: September 27, 2020

 



Meatloaf, 73

Gwyneth Paltrow, 48

Anna Camp, 38

Avril Lavigne, 36

Kathleen Nolan, 87

Claude Jarman, 86

Barbara Howar, 86

Randy Bachman, 77

Liz Torres, 73

A Martinez, 72

Cary Hiroyuki Tagawa, 70

Anthony Laciura, 69

Shaun Cassidy, 62

Marc Maron, 57

Stephen Jenkins, 56

Patrick Muldoon, 52

Mark Calderon, 50

Amanda Detmer, 49

Brad Arnold, 42

Grant Brandell, 39

Lil' Wayne, 38

Sierra Hull, 29

Sam Lerner, 28

Ames McNamara, 13

Cosimo de Medici (September 27, 1389-August 11, 1464)

Louis XIII (September 27, 1601-May 14, 1643)

Samuel Adams (September 27, 1722-October 2, 1803)

Harry Blackstone, Sr. (September 27, 1885-November 16, 1965)

Saturday, September 26, 2020

Happy Birthday: September 26, 2020

 



Olivia Newton-John, 72

Linda Hamilton, 64

Jim Caviezel, 52

Christina Milian, 39

Serena Williams, 39

David Frizzell, 79

Kent McCord, 78

Anne Robinson, 76

Bryan Ferry, 75

Mary Beth Hurt, 74

James Kearre, 68

Cesar Rosas, 66

Carlene Carter, 65

Doug Supernaw, 60

Cindy Herron, 59

Melissa Sue Anderson, 58

Al Pitrelli, 58

Tracey Thorn, 58

Jillian Barberie, 54

Jody Davis, 53

Tricia O'Kelley, 52

Ben Shenkman, 52

Shawn Stockman, 52

Melanie Paxon, 48

Dr. Luke, 47

Nicholas Payton, 47

Mark Famiglietti, 51

Zoe Perry, 37

Francis of Assisi (September 26, 1181?-October 4, 1226?)

T. S. Eliot (September 26, 1888-January 4, 1965)

Paul VI (September 1897-August 6, 1978)

George Gershwin (September 26, 1898-July 11, 1937)

Friday, September 25, 2020

Rosie the Riveter

 




Rosie the Riveter was an allegorical cultural icon of World War II, representing the women who worked in factories and shipyards during World War II, many of whom produced munitions and war supplies. These women sometimes took entirely new jobs replacing the male workers who joined the military. Rosie the Riveter is used as a symbol of American feminism and women's economic advantage. Similar images of women war workers appeared in other countries such as Britain and Australia. The idea of Rosie the Riveter originated in a song written in 1942 by Redd Evans and John Jacob Loeb. Images of women workers were widespread in the media in formats such as government posters, and commercial advertising was heavily used by the government to encourage women to volunteer for wartime service in factories. Rosie the Riveter became the subject and title of a Hollywood movie in 1944.


History


Women in the wartime workforce


Because the world wars were total wars, which required governments to utilize their entire populations to defeat their enemies, millions of women were encouraged to work in the industry and take over jobs previously done by men. During World War I women across the United States were employed in jobs previously done by men. World War II was similar to World War I in that massive conscription of men led to a shortage of available workers and therefore a demand for labor which could be filled only by employing women.


Nearly 19 million women held jobs during World War II. Many of these women were already working in lower-paying jobs or were returning to the work-force after being laid off during the depression. Only three million new female workers entered the workforce during the time of the war.


Women responded to the call of need the country was displaying by stepping up to fill positions that were non-traditionally filled by women. They began to work heavy construction machinery, taking roles in lumber and steel mills as well. Physical labor including unloading freight, building dirigibles (which are airships similar to air balloons), women began making munitions, and much more. Suprisingly, many women discovered they enjoyed the autonomy these jobs provided them with. It expanded their own expectations for womanly duty and capabilities. Unfortunately, this was reckoned as unnatural and as men began to return home from the war, the government instituted another propaganda campaign urging women to “return to normalcy.".


Although most women took on male-dominated trades during World War II, they were expected to return to their everyday housework once men returned from the war. Government campaigns targeting women were addressed solely at housewives, likely because already-employed women would move to the higher-paid "essential" jobs on their own, or perhaps because it was assumed that most would be housewives. One government advertisement asked women: "Can you use an electric mixer? If so, you can learn to operate a drill." Propaganda was also directed at their husbands, many of whom were unwilling to support such jobs.


Many of the women who took jobs during World War II were mothers. Those women with children at home pooled together in their efforts to raise their families. They assembled into groups and shared such chores as cooking, cleaning and washing clothes. Many who did have young children shared apartments and houses so they could save time, money, utilities and food. If they both worked, they worked different shifts so they could take turns babysitting. Taking on a job during World War II made people unsure if they should urge the women to keep acting as full-time mothers, or support them getting jobs to support the country in this time of need.


Being able to support the soldiers by making all different products made the women feel very accomplished and proud of their work. Over six million women got war jobs; African American, Hispanic, White, and Asian women worked side by side. In the book A Mouthful of Rivets Vi Kirstine Vrooman shares about the time when she decided to take action and become a riveter. She got a job building B-17s on an assembly line, she shares just how exciting it was saying, 'The biggest thrill — I can't tell you — was when the B-17s rolled off the assembly line. You can't believe the feeling we had. We did it!" Once women accepted the challenge of the workforce they continued to make strong advances towards equal rights.


In 1944, when victory seemed assured for the United States, government-sponsored propaganda changed by urging women back to working in the home. Later, many women returned to traditional work such as clerical or administration positions, despite their reluctance to re-enter the lower-paying fields. However, some of these women continued working in the factories. The overall percentage of women working fell from 36% to 28% in 1947.


The term "Rosie the Riveter" was first used in 1942 in a song of the same name written by Redd Evans and John Jacob Loeb. The song was recorded by numerous artists, including the popular big band leader Kay Kyser, and it became a national hit. The song portrays "Rosie" as a tireless assembly line worker, who earned a "Production E" doing her part to help the American war effort. The name is said to be a nickname for Rosina “Rosie” Bonavita who was working for Convair in San Diego, California. The idea of Rosie resembled Veronica Foster, a real person who in 1941 was Canada's poster girl for women in the war effort in "Ronnie, the Bren Gun Girl."


All the day long, whether rain or shine

She's a part of the assembly line

She's making history,

working for victory--

Rosie, brrrrrr, the riveter.


Keeps a sharp lookout for sabotage

Sitting up there on the fuselage.

That little frail can do

more than a male can do--

Rosie, brrrrrr, the riveter.


Rosie's got a boyfriend, Charlie.

Charlie, he's a Marine.

Rosie is protecting Charlie,

workin' overtime on the riveting machine.


When they gave her a production "E,"

she was as proud as a girl could be!

There's something true about--

red, white, and blue about--

Rosie, brrrr, the riveter.


The individual who was the inspiration for the song was Rosalind P. Walter, who "came from old money and worked on the night shift building the F4U Corsair fighter." Later in life Walter was a philanthropist, a board member of the WNET public television station in New York and an early and long-time supporter of the Charlie Rose interview show.


Rosie the Riveter became most closely associated with another real woman, Rose Will Monroe, who was born in Pulaski County, Kentucky in 1920 and moved to Michigan during World War II. She worked as a riveter at the Willow Run Aircraft Factory in Ypsilanti, Michigan, building B-24 bombers for the U.S. Army Air Forces. Monroe was asked to star in a promotional film about the war effort at home. The song "Rosie the Riveter" was popular at the time, and Monroe happened to best fit the description of the worker depicted in the song. "Rosie" went on to become perhaps the most widely recognized icon of that era. The films and posters she appeared in were used to encourage women to go to work in support of the war effort. At the age of 50, Monroe realized her dream of flying when she obtained a pilot's license. In 1978, she crashed in her small propeller plane when the engine failed during takeoff. The accident resulted in the loss of one kidney and the sight in her left eye, and ended her flying career. She died from kidney failure on May 31, 1997, in Clarksville, Indiana where she was a resident, at the age of 77.


A drama film, Rosie the Riveter, was released in 1944, borrowing from the Rosie theme.


Impact


According to the Encyclopedia of American Economic History, "Rosie the Riveter" inspired a social movement that increased the number of working American women from 12 million to 20 million by 1944, a 57% increase from 1940. By 1944 only 1.7 million unmarried men between the ages of 20 and 34 worked in the defense industry, while 4.1 million unmarried women between those ages did so. Although the image of "Rosie the Riveter" reflected the industrial work of welders and riveters during World War II, the majority of working women filled non-factory positions in every sector of the economy. What unified the experiences of these women was that they proved to themselves (and the country) that they could do a "man's job" and could do it well. In 1942, just between the months of January and July, the estimates of the proportion of jobs that would be "acceptable" for women was raised by employers from 29 to 85%. African American women were some of those most affected by the need for women workers. It has been said that it was the process of whites working alongside blacks during the time that encouraged a breaking down of social barriers and a healthy recognition of diversity.


Postwar


Women quickly responded to Rosie the Riveter, who convinced them that they had a patriotic duty to enter the workforce. Some claim that she forever opened the work force for women, but others dispute that point, noting that many women were discharged after the war and their jobs were given to returning servicemen. These critics claim that when peace returned, few women returned to their wartime positions and instead resumed domestic vocations or transferred into sex-typed occupations such as clerical and service work. For some, World War II represented a major turning point for women as they eagerly supported the war effort, but other historians emphasize that the changes were temporary and that immediately after the war was over, women were expected to return to traditional roles of wives and mothers. A third group has emphasized how the long-range significance of the changes brought about by the war provided the foundation for the contemporary woman's movement. Leila J. Rupp in her study of World War II wrote "For the first time, the working woman dominated the public image. Women were riveting housewives in slacks, not mother, domestic beings, or civilizers."


After the war, as the nation shifted to a time of peace, women were quickly laid off from their factory jobs. The "Rosies" and the generations that followed them knew that working in the factories was in fact a possibility for women, even though they did not reenter the job market in such large proportions again until the 1970s. By that time factory employment was in decline all over the country.


Elinor Otto, known as "Last Rosie the Riveter" built airplanes for 50 years, retiring at age 95.


A realtime "Rosie," Mae Krier, applied her skills and patriotism from WWII era to the 2020 fight to curb the coronavirus pandemic by making iconic red and white polka dot face masks for women.


Homages


According to Penny Colman's Rosie the Riveter, there was also, very briefly, a "Wendy the Welder" based on Janet Doyle, a worker at the Kaiser Richmond Liberty Shipyards in California.


In the 1960s, Hollywood actress Jane Withers gained fame as "Josephine the Plumber", a character in a long-running and popular series of television commercials for "Comet" cleansing powder that lasted into the 1970s. This character was based on the original "Rosie" character.


One of Carnival Cruise Line's ships, the Carnival Valor, has a restaurant located on the lido deck named Rosie's Restaurant. The restaurant is mostly a tribute to Rosie, but also contains artwork depicting other war-related manufacturing and labor.


In 2010, singer Pink paid tribute to Rosie by dressing as her for a portion of the music video for the song "Raise Your Glass".


The 2013 picture book Rosie Revere, Engineer by Andrea Beaty, features Rosie as "Great Great Aunt Rose" who "Worked building aeroplanes a long time ago". She inspires Rosie Revere, the young subject of the book, to continue striving to be a great engineer despite early failures. Rose is shown wielding a walking stick made from riveted aircraft aluminum.


Singer Beyoncé Knowles paid tribute to Rosie in July 2014, dressing as the icon and posing in front of a "We Can Do It!" sign identical to the original one often mistaken as part of the Rosie campaign. It garnered over 1.15 million likes, but sparked minor controversy when newspaper The Guardian criticized it.


Other recent cultural references include a "Big Daddy" enemy type called "Rosie" in the video game BioShock, armed with a rivet gun. There is a DC Comics character called Rosie The Riveter, who wields a rivet gun as a weapon (first appearing in Green Lantern vol. 2 No. 176 (May 1984)). In the video game Fallout 3 there are billboards featuring "Rosies" assembling atom bombs while drinking Nuka-Cola. Of the female hairstyles available for player characters in the sequel, one is titled "Wendy the Welder" as a pastiche.


In November 2016 the cartoon Rusty Rivets co-starred Ruby Ramirez, who wears a red sash with white dots around her head resembling Rosie's.


In 2018, MGA Entertainment released a L.O.L. Surprise doll called Can Do Baby who resembles Rosie the Riveter and is inspired by the We Can Do It poster.


Recognition


The Life and Times of Rosie the Riveter by Connie Field is a 65-minute documentary from 1980 that tells the story of women's entrance into "men's work" during WWII. Rosies of the North is a 1999 National Film Board of Canada documentary film about Canadian "Rosies," who built fighter and bomber aircraft at the Canadian Car and Foundry, where Elsie MacGill was also the Chief Aeronautical Engineer.


John Crowley's 2009 historical novel Four Freedoms covers the wartime industries, and studies the real working conditions of many female industrial workers. "Rosie the Riveter" is frequently referenced.


On October 14, 2000, the Rosie the Riveter/World War II Home Front National Historical Park was opened in Richmond, California, site of four Kaiser shipyards, where thousands of "Rosies" from around the country worked (although ships at the Kaiser yards were not riveted, but rather welded). Over 200 former Rosies attended the ceremony.


Also in 2014 a nationwide program, run by the organization Thanks! Plain and Simple, was founded to encourage cities to pick a project that "Rosies" can do with younger generations, in order to educate young people about women's roles in World War II, and to involve the "Rosies", many of whom have become isolated as they have gotten older, in community projects.


The name and logo of the Metropolitan Riveters, one of the founding members of the National Women's Hockey League, are inspired by the character of Rosie The Riveter.


The Rose City Riveters is the fan club for the Portland Thorns Football Club, a National Women's Soccer League team in Portland, Oregon, a.k.a. The Rose City. They have taken their inspiration (and their name) from the 30,000 women who worked in the Portland shipyards in Portland during World War II.


Images


In 1942, Pittsburgh artist J. Howard Miller was hired by the Westinghouse Company's War Production Coordinating Committee to create a series of posters for the war effort. One of these posters became the famous "We Can Do It!" image, an image that in later years would also be called "Rosie the Riveter" although it had never been given that title during the war. Miller is thought to have based his "We Can Do It!" poster on a United Press International wire service photograph taken of a young female war worker, widely but possibly erroneously reported as being a photo of Michigan war worker Geraldine Hoff (later Doyle). More recent evidence indicates that the formerly-misidentified photo is actually of war worker Naomi Parker (later Fraley) taken at Alameda Naval Air Station in California. The "We Can Do It!" poster was displayed only to Westinghouse employees in the Midwest during a two-week period in February 1943, then it disappeared for nearly four decades. During the war, the name "Rosie" was not associated with the image, and the purpose of the poster was not to recruit women workers but to be motivational propaganda aimed at workers of both sexes already employed at Westinghouse. It was only later, in the early 1980s, that the Miller poster was rediscovered and became famous, associated with feminism, and often mistakenly called "Rosie the Riveter".


Saturday Evening Post


Norman Rockwell's image of "Rosie the Riveter" received mass distribution on the cover of the Saturday Evening Post on Memorial Day, May 29, 1943. Rockwell's illustration features a brawny woman taking her lunch break with a rivet gun on her lap and beneath her penny loafer a copy of Adolf Hitler's manifesto, Mein Kampf. Her lunch box reads "Rosie"; viewers quickly recognized that to be "Rosie the Riveter" from the familiar song. Rockwell, America's best-known popular illustrator of the day, based the pose of his 'Rosie' on that of Michelangelo's 1509 painting Prophet Isaiah from the Sistine Chapel ceiling. Rosie is holding a ham sandwich in her left hand, and her blue overalls are adorned with badges and buttons: a Red Cross blood donor button, a white "V for Victory" button, a Blue Star Mothers pin, an Army-Navy E Service production award pin, two bronze civilian service awards, and her personal identity badge. Rockwell's model was a Vermont resident, 19-year-old Mary Doyle, who was a telephone operator near where Rockwell lived, not a riveter. Rockwell painted his "Rosie" as a larger woman than his model, and he later phoned to apologize. In a post interview, Mary explained that she was actually holding a sandwich while posing for the poster and that the rivet-gun she was holding was fake, she never saw Hitler's copy of Mein Kampf, and she did have a white handkerchief in her pocket like the picture depicts. The Post's cover image proved hugely popular, and the magazine loaned it to the United States Department of the Treasury for the duration of the war, for use in war bond drives.


After the war, the Rockwell "Rosie" was seen less and less because of a general policy of vigorous copyright protection by the Rockwell estate. In 2002, the original painting sold at Sotheby's for nearly $5 million. In June 2009 the Crystal Bridges Museum of American Art in Bentonville, Arkansas acquired Norman Rockwell's iconic Rosie the Riveter painting for its permanent collection from a private collector.


In late 1942, Doyle posed twice for Rockwell's photographer, Gene Pelham, as Rockwell preferred to work from still images rather than live models. The first photo was not suitable, because she wore a blouse rather than a blue work shirt. In total, she was paid $10 for her modeling work (equivalent to $148 in 2019). In 1949 she married Robert J. Keefe to become Mary Doyle Keefe. The Keefes were invited and present in 2002 when the Rockwell painting was sold at Sotheby's.


In an interview in 2014, Keefe said that she had no idea what impact the painting would have. "I didn't expect anything like this, but as the years went on, I realized that the painting was famous," she said. Keefe died on April 21, 2015, in Connecticut at the age of 92.

The Boston Tea Party

 




The Boston Tea Party was a political and mercantile protest by the Sons of Liberty in Boston, Massachusetts, on December 16, 1773. The target was the Tea Act of May 10, 1773, which allowed the British East India Company to sell tea from China in American colonies without paying taxes apart from those imposed by the Townshend Acts. American Patriots strongly opposed the taxes in the Townshend Act as a violation of their rights. Demonstrators, some disguised as Native Americans, destroyed an entire shipment of tea sent by the East India Company.


They boarded the ships and threw the chests of tea into the Boston Harbor. The British government responded harshly and the episode escalated into the American Revolution. The Tea Party became an iconic event of American history, and since then other political protests such as the Tea Party movement have referred to themselves as historical successors to the Boston protest of 1773.


The Tea Party was the culmination of a resistance movement throughout British America against the Tea Act, which had been passed by the British Parliament in 1773. Colonists objected to the Tea Act because they believed that it violated their rights as Englishmen to "no taxation without representation", that is, to be taxed only by their own elected representatives and not by a British parliament in which they were not represented. In addition, the well-connected East India Company had been granted competitive advantages over colonial tea importers, who resented the move and feared additional infringement on their business. Protesters had successfully prevented the unloading of tea in three other colonies, but in Boston, embattled Royal Governor Thomas Hutchinson refused to allow the tea to be returned to Britain.


The Boston Tea Party was a significant event in the growth of the American Revolution. Parliament responded in 1774 with the Intolerable Acts, or Coercive Acts, which, among other provisions, ended local self-government in Massachusetts and closed Boston's commerce. Colonists up and down the Thirteen Colonies in turn responded to the Intolerable Acts with additional acts of protest, and by convening the First Continental Congress, which petitioned the British monarch for repeal of the acts and coordinated colonial resistance to them. The crisis escalated, and the American Revolutionary War began near Boston in 1775.


Background


The Boston Tea Party arose from two issues confronting the British Empire in 1765: the financial problems of the British East India Company; and an ongoing dispute about the extent of Parliament's authority, if any, over the British American colonies without seating any elected representation. The North Ministry's attempt to resolve these issues produced a showdown that would eventually result in revolution.


Tea trade to 1767


As Europeans developed a taste for tea in the 17th century, rival companies were formed to import the product from China. In England, Parliament gave the East India Company a monopoly on the importation of tea in 1698. When tea became popular in the British colonies, Parliament sought to eliminate foreign competition by passing an act in 1721 that required colonists to import their tea only from Great Britain. The East India Company did not export tea to the colonies; by law, the company was required to sell its tea wholesale at auctions in England. British firms bought this tea and exported it to the colonies, where they resold it to merchants in Boston, New York, Philadelphia, and Charleston.


Until 1767, the East India Company paid an ad valorem tax of about 25% on tea that it imported into Great Britain. Parliament laid additional taxes on tea sold for consumption in Britain. These high taxes, combined with the fact that tea imported into the Dutch Republic was not taxed by the Dutch government, meant that Britons and British Americans could buy smuggled Dutch tea at much cheaper prices. The biggest market for illicit tea was England—by the 1760s the East India Company was losing £400,000 per year to smugglers in Great Britain—but Dutch tea was also smuggled into British America in significant quantities.


In 1767, to help the East India Company compete with smuggled Dutch tea, Parliament passed the Indemnity Act, which lowered the tax on tea consumed in Great Britain, and gave the East India Company a refund of the 25% duty on tea that was re-exported to the colonies. To help offset this loss of government revenue, Parliament also passed the Townshend Revenue Act of 1767, which levied new taxes, including one on tea, in the colonies. Instead of solving the smuggling problem, however, the Townshend duties renewed a controversy about Parliament's right to tax the colonies.


Townshend duty crisis


Controversy between Great Britain and the colonies arose in the 1760s when Parliament sought, for the first time, to impose a direct tax on the colonies for the purpose of raising revenue. Some colonists, known in the colonies as Whigs, objected to the new tax program, arguing that it was a violation of the British Constitution. Britons and British Americans agreed that, according to the constitution, British subjects could not be taxed without the consent of their elected representatives. In Great Britain, this meant that taxes could only be levied by Parliament. Colonists, however, did not elect members of Parliament, and so American Whigs argued that the colonies could not be taxed by that body. According to Whigs, colonists could only be taxed by their own colonial assemblies. Colonial protests resulted in the repeal of the Stamp Act in 1766, but in the 1766 Declaratory Act, Parliament continued to insist that it had the right to legislate for the colonies "in all cases whatsoever".


When new taxes were levied in the Townshend Revenue Act of 1767, Whig colonists again responded with protests and boycotts. Merchants organized a non-importation agreement, and many colonists pledged to abstain from drinking British tea, with activists in New England promoting alternatives, such as domestic Labrador tea. Smuggling continued apace, especially in New York and Philadelphia, where tea smuggling had always been more extensive than in Boston. Dutied British tea continued to be imported into Boston, however, especially by Richard Clarke and the sons of Massachusetts Governor Thomas Hutchinson, until pressure from Massachusetts Whigs compelled them to abide by the non-importation agreement.


Parliament finally responded to the protests by repealing the Townshend taxes in 1770, except for the tea duty, which Prime Minister Lord North kept to assert "the right of taxing the Americans". This partial repeal of the taxes was enough to bring an end to the non-importation movement by October 1770. From 1771 to 1773, British tea was once again imported into the colonies in significant amounts, with merchants paying the Townshend duty of three pence per pound in weight of tea. Boston was the largest colonial importer of legal tea; smugglers still dominated the market in New York and Philadelphia.


Tea Act of 1773


The Indemnity Act of 1767, which gave the East India Company a refund of the duty on tea that was re-exported to the colonies, expired in 1772. Parliament passed a new act in 1772 that reduced this refund, effectively leaving a 10% duty on tea imported into Britain. The act also restored the tea taxes within Britain that had been repealed in 1767, and left in place the three pence Townshend duty in the colonies. With this new tax burden driving up the price of British tea, sales plummeted. The company continued to import tea into Great Britain, however, amassing a huge surplus of product that no one would buy. For these and other reasons, by late 1772 the East India Company, one of Britain's most important commercial institutions, was in a serious financial crisis. The severe famine in Bengal from 1769 to 1773 had drastically reduced the revenue of the East India Company from India bringing the Company to the verge of bankruptcy and the Tea Act of 1773 was enacted to help the East India Company.


Eliminating some of the taxes was one obvious solution to the crisis. The East India Company initially sought to have the Townshend duty repealed, but the North ministry was unwilling because such an action might be interpreted as a retreat from Parliament's position that it had the right to tax the colonies. More importantly, the tax collected from the Townshend duty was used to pay the salaries of some colonial governors and judges. This was in fact the purpose of the Townshend tax: previously these officials had been paid by the colonial assemblies, but Parliament now paid their salaries to keep them dependent on the British government rather than allowing them to be accountable to the colonists.


Another possible solution for reducing the growing mound of tea in the East India Company warehouses was to sell it cheaply in Europe. This possibility was investigated, but it was determined that the tea would simply be smuggled back into Great Britain, where it would undersell the taxed product. The best market for the East India Company's surplus tea, so it seemed, was the American colonies, if a way could be found to make it cheaper than the smuggled Dutch tea.


The North ministry's solution was the Tea Act, which received the assent of King George on May 10, 1773. This act restored the East India Company's full refund on the duty for importing tea into Britain, and also permitted the company, for the first time, to export tea to the colonies on its own account. This would allow the company to reduce costs by eliminating the middlemen who bought the tea at wholesale auctions in London. Instead of selling to middlemen, the company now appointed colonial merchants to receive the tea on consignment; the consignees would in turn sell the tea for a commission. In July 1773, tea consignees were selected in New York, Philadelphia, Boston, and Charleston. The Tea Act in 1773 authorized the shipment of 5,000 chests of tea (250 tons) to the American colonies. There would be a tax of £1,750 to be paid by the importers when the cargo landed. The act granted the EIC a monopoly on the sale of tea that was cheaper than smuggled tea; its hidden purpose was to force the colonists to pay a tax of 3 pennies on every pound of tea.


The Tea Act thus retained the three pence Townshend duty on tea imported to the colonies. Some members of Parliament wanted to eliminate this tax, arguing that there was no reason to provoke another colonial controversy. Former Chancellor of the Exchequer William Dowdeswell, for example, warned Lord North that the Americans would not accept the tea if the Townshend duty remained. But North did not want to give up the revenue from the Townshend tax, primarily because it was used to pay the salaries of colonial officials; maintaining the right of taxing the Americans was a secondary concern. According to historian Benjamin Labaree, "A stubborn Lord North had unwittingly hammered a nail in the coffin of the old British Empire."


Even with the Townshend duty in effect, the Tea Act would allow the East India Company to sell tea more cheaply than before, undercutting the prices offered by smugglers, but also undercutting colonial tea importers, who paid the tax and received no refund. In 1772, legally imported Bohea, the most common variety of tea, sold for about 3 shillings (3s) per pound. After the Tea Act, colonial consignees would be able to sell it for 2 shillings per pound (2s), just under the smugglers' price of 2 shillings and 1 penny (2s 1d). Realizing that the payment of the Townshend duty was politically sensitive, the company hoped to conceal the tax by making arrangements to have it paid either in London once the tea was landed in the colonies, or have the consignees quietly pay the duties after the tea was sold. This effort to hide the tax from the colonists was unsuccessful.


Resisting the Tea Act


In September and October 1773, seven ships carrying East India Company tea were sent to the colonies: four were bound for Boston, and one each for New York, Philadelphia, and Charleston. In the ships were more than 2,000 chests containing nearly 600,000 pounds of tea. Americans learned the details of the Tea Act while the ships were en route, and opposition began to mount. Whigs, sometimes calling themselves Sons of Liberty, began a campaign to raise awareness and to convince or compel the consignees to resign, in the same way that stamp distributors had been forced to resign in the 1765 Stamp Act crisis.


The protest movement that culminated with the Boston Tea Party was not a dispute about high taxes. The price of legally imported tea was actually reduced by the Tea Act of 1773. Protesters were instead concerned with a variety of other issues. The familiar "no taxation without representation" argument, along with the question of the extent of Parliament's authority in the colonies, remained prominent. Samuel Adams considered the British tea monopoly to be "equal to a tax" and to raise the same representation issue whether or not a tax was applied to it. Some regarded the purpose of the tax program—to make leading officials independent of colonial influence—as a dangerous infringement of colonial rights. This was especially true in Massachusetts, the only colony where the Townshend program had been fully implemented.


Colonial merchants, some of them smugglers, played a significant role in the protests. Because the Tea Act made legally imported tea cheaper, it threatened to put smugglers of Dutch tea out of business. Legitimate tea importers who had not been named as consignees by the East India Company were also threatened with financial ruin by the Tea Act. Another major concern for merchants was that the Tea Act gave the East India Company a monopoly on the tea trade, and it was feared that this government-created monopoly might be extended in the future to include other goods.


In New York, Philadelphia, and Charleston, protesters successfully compelled the tea consignees to resign. In Charleston, the consignees had been forced to resign by early December, and the unclaimed tea was seized by customs officials. There were mass protest meetings in Philadelphia. Benjamin Rush urged his fellow countrymen to oppose the landing of the tea, because the cargo contained "the seeds of slavery". By early December, the Philadelphia consignees had resigned and the tea ship returned to England with its cargo following a confrontation with the ship's captain. The tea ship bound for New York City was delayed by bad weather; by the time it arrived, the consignees had resigned, and the ship returned to England with the tea.


Standoff in Boston


In every colony except Massachusetts, protesters were able to force the tea consignees to resign or to return the tea to England. In Boston, however, Governor Hutchinson was determined to hold his ground. He convinced the tea consignees, two of whom were his sons, not to back down.

This notice from the "Chairman of the Committee for Tarring and Feathering" in Boston denounced the tea consignees as "traitors to their country".


When the tea ship Dartmouth, arrived in the Boston Harbor in late November, Whig leader Samuel Adams called for a mass meeting to be held at Faneuil Hall on November 29, 1773. Thousands of people arrived, so many that the meeting was moved to the larger Old South Meeting House. British law required Dartmouth to unload and pay the duties within twenty days or customs officials could confiscate the cargo (i.e. unload it onto American soil). The mass meeting passed a resolution, introduced by Adams and based on a similar set of resolutions promulgated earlier in Philadelphia, urging the captain of Dartmouth to send the ship back without paying the import duty. Meanwhile, the meeting assigned twenty-five men to watch the ship and prevent the tea – including a number of chests from Davison, Newman and Co. of London – from being unloaded.


Governor Hutchinson refused to grant permission for Dartmouth to leave without paying the duty. Two more tea ships, Eleanor and Beaver, arrived in Boston Harbor. On December 16 – the last day of Dartmouth's deadline – roughly 5,000 to 7,000 people out of a population of roughly 16,000 had gathered around the Old South Meeting House. After receiving a report that Governor Hutchinson had again refused to let the ships leave, Adams announced that "This meeting can do nothing further to save the country." According to a popular story, Adams's statement was a prearranged signal for the "tea party" to begin. However, this claim did not appear in print until nearly a century after the event, in a biography of Adams written by his great-grandson, who apparently misinterpreted the evidence. According to eyewitness accounts, people did not leave the meeting until ten or fifteen minutes after Adams's alleged "signal", and Adams in fact tried to stop people from leaving because the meeting was not yet over.


Destruction of the Tea


While Samuel Adams tried to reassert control of the meeting, people poured out of the Old South Meeting House to prepare to take action. In some cases, this involved donning what may have been elaborately prepared Mohawk costumes. While disguising their individual faces was imperative, because of the illegality of their protest, dressing as Mohawk warriors was a specific and symbolic choice. It showed that the Sons of Liberty identified with America, over their official status as subjects of Great Britain.


That evening, a group of 30 to 130 men, some dressed in the Mohawk warrior disguises, boarded the three vessels and, over the course of three hours, dumped all 342 chests of tea into the water. The precise location of the Griffin's Wharf site of the Tea Party has been subject to prolonged uncertainty; a comprehensive study places it near the foot of Hutchinson Street (today's Pearl Street). The property damage amounted to the destruction of 92,000 pounds or 340 chests of tea, reported by the British East India Company worth £9,659 worth, or $1,700,000 dollars in today’s money. The owner of the two of the three ships was William Rotch, a Nantucket-born colonist and merchant.


Another tea ship intended for Boston, the William, had run aground at Cape Cod in December 1773, and its tea was taxed and sold to private parties. In March 1774, the Sons of Liberty received information that this tea was being held in a warehouse in Boston, entered the warehouse and destroyed all they could find. Some of it had already been sold to Davison, Newman and Co. and was being held in their shop. On March 7, Sons of Liberty once again dressed as Mohawks, broke into the shop, and dumped the last remaining tea into the harbor.


Reaction


Whether or not Samuel Adams helped plan the Boston Tea Party is disputed, but he immediately worked to publicize and defend it. He argued that the Tea Party was not the act of a lawless mob, but was instead a principled protest and the only remaining option the people had to defend their constitutional rights.


In Britain, even those politicians considered friends of the colonies were appalled and this act united all parties there against the colonies. The Prime Minister Lord North said, "Whatever may be the consequence, we must risk something; if we do not, all is over". The British government felt this action could not remain unpunished, and responded by closing the port of Boston and putting in place other laws known as the "Intolerable Acts." Benjamin Franklin stated that the East India Company should be paid for the destroyed tea, all ninety thousand pounds (which, at two shillings per pound, came to £9,000, or £1.15 million [2014, approx. $1.7 million US]). Robert Murray, a New York merchant, went to Lord North with three other merchants and offered to pay for the losses, but the offer was turned down.


The incident resulted in a similar effect in America when news of the Boston Tea Party reached London in January and Parliament responded with a series of acts known collectively in the colonies as the Intolerable Acts. These were intended to punish Boston for the destruction of private property, restore British authority in Massachusetts, and otherwise reform colonial government in America. Although the first three, the Boston Port Act the Massachusetts Government Act and the Administration of Justice Act, applied only to Massachusetts, colonists outside that colony feared that their governments could now also be changed by legislative fiat in England. The Intolerable Acts were viewed as a violation of constitutional rights, natural rights, and colonial charters, and united many colonists throughout America, exemplified by the calling of the First Continental Congress in September 1774.


A number of colonists were inspired by the Boston Tea Party to carry out similar acts, such as the burning of Peggy Stewart. The Boston Tea Party eventually proved to be one of the many reactions that led to the American Revolutionary War. In his December 17, 1773 entry in his diary, John Adams wrote:


Last Night 3 Cargoes of Bohea Tea were emptied into the Sea. This Morning a Man of War sails. This is the most magnificent Movement of all. There is a Dignity, a Majesty, a Sublimity, in this last Effort of the Patriots, that I greatly admire. The People should never rise, without doing something to be remembered—something notable And striking. This Destruction of the Tea is so bold, so daring, so firm, intrepid and inflexible, and it must have so important Consequences, and so lasting, that I cant but consider it as an Epocha in History.


In February 1775, Britain passed the Conciliatory Resolution, which ended taxation for any colony that satisfactorily provided for the imperial defense and the upkeep of imperial officers. The tax on tea was repealed with the Taxation of Colonies Act 1778, part of another Parliamentary attempt at conciliation that failed.


Legacy


John Adams and many other Americans considered tea drinking to be unpatriotic following the Boston Tea Party. Tea drinking declined during and after the Revolution, resulting in a shift to coffee as the preferred hot drink.


According to historian Alfred Young, the term "Boston Tea Party" did not appear in print until 1834. Before that time, the event was usually referred to as the "destruction of the tea". According to Young, American writers were for many years apparently reluctant to celebrate the destruction of property, and so the event was usually ignored in histories of the American Revolution. This began to change in the 1830s, however, especially with the publication of biographies of George Robert Twelves Hewes, one of the few still-living participants of the "tea party", as it then became known.


The Boston Tea Party has often been referenced in other political protests. When Mohandas Karamchand Gandhi led a mass burning of Indian registration cards in South Africa in 1908, a British newspaper compared the event to the Boston Tea Party. When Gandhi met with the British viceroy in 1930 after the Indian salt protest campaign, Gandhi took some duty-free salt from his shawl and said, with a smile, that the salt was "to remind us of the famous Boston Tea Party."


American activists from a variety of political viewpoints have invoked the Tea Party as a symbol of protest. In 1973, on the 200th anniversary of the Tea Party, a mass meeting at Faneuil Hall called for the impeachment of President Richard Nixon and protested oil companies in the ongoing oil crisis. Afterwards, protesters boarded a replica ship in Boston Harbor, hanged Nixon in effigy, and dumped several empty oil drums into the harbor. In 1998, two conservative US Congressmen put the federal tax code into a chest marked "tea" and dumped it into the harbor.


In 2006, a libertarian political party called the "Boston Tea Party" was founded. In 2007, the Ron Paul "Tea Party" money bomb, held on the 234th anniversary of the Boston Tea Party, broke the one-day fund-raising record by raising $6.04 million in 24 hours. Subsequently, these fund-raising "Tea parties" grew into the Tea Party movement, which dominated conservative American politics for the next two years, reaching its peak with a voter victory for the Republicans in 2010 who were widely elected to seats in the United States House of Representatives.


Boston Tea Party Ships and Museum


The Boston Tea Party Museum is located on the Congress Street Bridge in Boston. It features reenactments, a documentary, and a number of interactive exhibits. The museum features two replica ships of the period, Eleanor and Beaver. Additionally, the museum possesses one of two known tea chests from the original event, part of its permanent collection.

Happy Birthday: September 25, 2020

 



Michael Douglas, 76

Cheryl Tiegs, 73

Mark Hamil, 69

Michael Madsen, 62

Heather Locklear, 59

Will Smith, 52

Catherine Zeta-Jones, 51

Donald Glover, 37

Barbara Walters, 91

Ian Tyson, 87

Jimmy Sturr, 79

Josh Taylor, 77

Robert Walden, 77

Mimi Kennedy, 72

Pedro Almodovar, 71

Anson Williams, 71

Colin Friels, 68

Aida Turturro, 58

Tate Donovan, 57

Keely Shaye Smith, 57

Maria Doyle Kennedy, 56

Jason Flemyng, 54

Hal Sparks, 51

Mike Luce, 49

Bridgette Wilson-Sampras, 47

Clea DuVall, 43

Robbie Jones, 43

Chris Owens, 40

T. I., 40

Van Hansis, 39

Lee Norris, 39

Zach Woods, 31

Emmy Clarke, 29

William Faulkner (September 25, 1891-July 6, 1962)

Shel Silverstein (September 25, 1930-May 10, 1999)

Christopher Reeve (September 25, 1952-October 4, 2004)

Thursday, September 24, 2020

Happy Birthday: September 24, 2020

 



Lou Dobbs, 75

Kevin Sorbo, 62

Nia Vardalos, 58

Stephanie McMahon, 44

Ben Platt, 27

Sonny Turners, 81

Barbara Allbut Brown, 80

Phyllis "Jiggs" Allbut Sirico, 78

Gerry Marsden, 78

Gordon Clapp, 72

Harriet Walter, 70

Holly Knight, 64

Cedric Dent, 58

Shawn Crahan aka Clown, 51

Marty Mitchell, 51

Megan Ward, 51

Marty Cintron, 49

Juan DeVevo, 45

Ian Bohen, 44

Justin Bruening, 41

Erick Stocklin, 38

Spencer Treat Clark, 33

Greg Damon, 33

Kyle Sullivan, 32

F. Scott Fitzgerald (September 24, 1896-December 21, 1940)

Jim Henson (September 24, 1936-May 16, 1990)

Phil Hartman (September 24, 1948-May 28, 1998)

Happy Birthday: September 23, 2020

 



Julio Iglesias, 77

Jason Alexander, 61

Anthony Mackie, 42

Skylar Astin, 33

Paul Peterson, 75

Mary Kay Place, 73

George C. Wolfe, 66

Leon Taylor, 65

Rosalind Chao, 63

Chi McBride, 59

Don Herron, 58

Erik Todd Dellums, 56

LisaRaye, 54

Ari DiFranco, 50

Sam (Sarah) Bettens, 48

Kip Pardue, 44

Erik Michael Estrada, 41

Aubrey Dollar, 40

Brandon Victor Dixon, 39

David Lim, 37

Diana Ortiz, 35

Cush Jumbo, 35

Marty Schottenheimer, 77

Euripides (September 23, 480 B.C.?-406 B.C.?)

Augustus Caesar (September 23, 63 B.C.-August 19, 14 A.D.)

Kublai Khan (September 23, 1215-February 18, 1294)

"Typhoid" Mary Mallon (September 23, 1869-November 11, 1938)

Mickey Rooney (September 23, 1920-April 6, 2014)

Ray Charles (September 23, 1930-June 10, 2004)

Happy Birthday: September 22, 2020

 



David Cloverdale, 69

Debby Boone, 64

Joan Jett, 62

Bonnie Hunt, 59

Billie Piper, 38

Tatiana Maslany, 35

Tom Felton, 33

Toni Basil, 77

Paul LeMat, 75

King Sunny Ade, 74

Capt. Mark Philips, 72

Shari Belafonte, 66

June Forrester, 64

Nick Cave, 63

Johnette Napolitano, 63

Lynn Herring, 62

Andrea Bocelli, 62

Scott Baio, 60

Catherine Oxenberg, 59

Rob Stone, 58

Dan Bucatinsky, 55

Matt Sharp, 51

Dave Hernandez, 50

Mystikal, 50

Big Rabe, 49

James Hillier, 47

Mirielle Enos, 45

Daniella Alonso, 42

Michael Graziadei, 41

Ashley Drane, 39

Katie Lowes, 38

Will Farquerson, 37

Ulkwell Roach, 34

Teyonah Parris, 33

Juliette Goglia, 35

Dalya Knapp, 10

Tom Lasorda, 93

Allan Lane (September 22, 1909-October 27, 1973)

Michael Faraday (September 22, 1791-August 25, 1867)

David Stern (September 22, 1942-January 1, 2020)

Happy Birthday: September 21, 2020

 



Jerry Bruckheimer, 77

Stephen King, 73

Bill Murray, 70

Dave Coulier, 61

Cheryl Hines, 55

Faith Hill, 55

Ricki Lake, 52

Alfonso Ribiero, 49

Luke Wilson, 49

Nicole Richie, 39

Maggie Grace, 38

Allison Scagliotti, 30

Fannie Flagg, 79

Don Felder, 73

Ethan Coen, 63

David James Elliott, 60

Serena Scott Thomas, 59

Nancy Travis, 59

Rob Morrow, 58

Angus Macladyeh, 52

Tyler Stewart, 53

Ronna Reeves, 52

Rapper Dave, 52

Billy Porter, 51

Rob Benedict, 50

James Lesure, 49

Paul Costanzo, 42

Bradford Anderson, 41

Autumn Reeser, 40

Joseph Mazzello, 37

Anna O'Reilly, 36

Rapper Wale, 36

Ryan Guzman, 33

Lorenzo Brino, 22

Nikolas Brino, 22

H. G. Wells (September 21, 1866-August 13, 1946)

Larry Hagman (September 21, 1931-November 23, 2012)

Leonard Cohen (September 21, 1934-November 7, 2016)

Happy Birthday: September 20, 2020

 



Sophia Loren, 86

George R. R. Martin, 72

Kristen Johnston, 53

Gunnar Nelson, 53

Matthew Nelson, 53

Crystle Stewart, 39

Chuck Panozzo, 72

Tony Dennison, 71

Debbi Morgan, 69

Peter White, 66

Betsy Brantley, 65

Gary Cole, 64

Deborah Roberts, 60

Joseph Shreve, 59

Randy Bradbury, 59

Ben Shepherd, 52

Enuka Okuma, 48

Moon Bloodgood, 45

Jon Bernthal, 44

The Dream, 43

Charlie Weber, 42

Rick Woolstenhalme, 41

Yung Joc, 40

Aldis Hodge, 34

Jack Lawless, 33

Malachi Kirby, 31

Dale Chiohuly, 78

Upton Sinclair (September 20, 1878-November 25, 1968)

Red Auerback (September 20, 1917-October 28, 2006)

Happy Birthday: September 19, 2020

 



Jeremy Irons, 72

Cheri Oteri, 58

Trisha Yearwood, 56

Soledad O'Brien, 54

Michael Symon, 51

Jimmy Fallon, 46

Alison Sweeney, 44

Danielle Panabaker, 33

Katrina Bowden, 32

Roger Angell, 100

Rosemary Harris, 93

David McCallum, 87

Paul Williams, 80

Bill Medley, 80

Sylvia Tyson, 80

Freda Payne, 78

David Bromberg, 75

Randolph Mantooth, 75

Lol Creme, 73

Twiggy Lawson, 71

Joan Lunden, 70

Daniel Lanois, 69

Scott Colomby, 68

Nile Rodgers, 68

Rex Smith, 65

Lila Ford, 62

Kevin Hooks, 62

Carolyn McCormick, 61

Mario Batali, 60

Jeff Bates, 57

Victor Williams, 50

Sanaa Lathan, 49

Stephanie J. Black, 48

A. Jay Popoff, 47

Carter Oosterhouse, 44

Ryan Dusick, 43

Sara Quin, 40

Tegan Quin, 40

Columbus Short, 38

Eamon, 37

Kevin Zegers, 36

Victoria Silverstedt, 46

Sir William Gokling (September 19, 1911-June 19, 1993)

"Mama" Cass Elliott (September 19, 1941-July 29, 1974)

Adam West (September 19, 1928-June 9, 2017)

Saturday, September 19, 2020

What is the Rosetta Stone?

 


The Rosetta Stone is a granodiorite stele inscribed with three versions of a decree issued in Memphis, Egypt in 196 BC during the Ptolemaic dynasty on behalf of King Ptolemy V Epiphanes. The top and middle texts are in Ancient Egyptian using hieroglyphic and Demotic scripts respectively, while the bottom is in Ancient Greek. The decree has only minor differences between the three versions, making the Rosetta Stone key to deciphering Egyptian hieroglyphs.


The stone was carved during the Hellenistic period and is believed to have originally been displayed within a temple, possibly at nearby Sais. It was probably moved in late antiquity or during the Mameluk period, and was eventually used as building material in the construction of Fort Julien near the town of Rashid (Rosetta) in the Nile Delta. It was discovered there in July 1799 by French officer Pierre-François Bouchard during the Napoleonic campaign in Egypt. It was the first Ancient Egyptian bilingual text recovered in modern times, and it aroused widespread public interest with its potential to decipher this previously untranslated hieroglyphic script. Lithographic copies and plaster casts soon began circulating among European museums and scholars. When the British defeated the French they took the stone to London under the Capitulation of Alexandria in 1801. It has been on public display at the British Museum almost continuously since 1802 and is the most visited object there.


Study of the decree was already underway when the first complete translation of the Greek text was published in 1803. Jean-François Champollion announced the transliteration of the Egyptian scripts in Paris in 1822; it took longer still before scholars were able to read Ancient Egyptian inscriptions and literature confidently. Major advances in the decoding were recognition that the stone offered three versions of the same text (1799); that the demotic text used phonetic characters to spell foreign names (1802); that the hieroglyphic text did so as well, and had pervasive similarities to the demotic (1814); and that phonetic characters were also used to spell native Egyptian words (1822–1824).


Three other fragmentary copies of the same decree were discovered later, and several similar Egyptian bilingual or trilingual inscriptions are now known, including three slightly earlier Ptolemaic decrees: the Decree of Alexandria in 243 BC, the Decree of Canopus in 238 BC, and the Memphis decree of Ptolemy IV, c. 218 BC. The Rosetta Stone is no longer unique, but it was the essential key to the modern understanding of ancient Egyptian literature and civilization. The term Rosetta Stone is now used to refer to the essential clue to a new field of knowledge.


Description


The Rosetta Stone is listed as "a stone of black granodiorite, bearing three inscriptions ... found at Rosetta" in a contemporary catalogue of the artefacts discovered by the French expedition and surrendered to British troops in 1801. At some period after its arrival in London, the inscriptions were colored in white chalk to make them more legible, and the remaining surface was covered with a layer of carnauba wax designed to protect it from visitors' fingers. This gave a dark color to the stone that led to its mistaken identification as black basalt. These additions were removed when the stone was cleaned in 1999, revealing the original dark grey tint of the rock, the sparkle of its crystalline structure, and a pink vein running across the top left corner. Comparisons with the Klemm collection of Egyptian rock samples showed a close resemblance to rock from a small granodiorite quarry at Gebel Tingar on the west bank of the Nile, west of Elephantine in the region of Aswan; the pink vein is typical of granodiorite from this region.


The Rosetta Stone is 1,123 millimeters (3 ft 8 in) high at its highest point, 757 mm (2 ft 5.8 in) wide, and 284 mm (11 in) thick. It weighs approximately 760 kilograms (1,680 lb). It bears three inscriptions: the top register in Ancient Egyptian hieroglyphs, the second in the Egyptian demotic script, and the third in Ancient Greek. The front surface is polished and the inscriptions lightly incised on it; the sides of the stone are smoothed, but the back is only roughly worked, presumably because this would have not been visible when it was erected.


Original stele


The Rosetta Stone is a fragment of a larger stele. No additional fragments were found in later searches of the Rosetta site. Owing to its damaged state, none of the three texts is complete. The top register, composed of Egyptian hieroglyphs, suffered the most damage. Only the last 14 lines of the hieroglyphic text can be seen; all of them are broken on the right side, and 12 of them on the left. Below it, the middle register of demotic text has survived best; it has 32 lines, of which the first 14 are slightly damaged on the right side. The bottom register of Greek text contains 54 lines, of which the first 27 survive in full; the rest are increasingly fragmentary due to a diagonal break at the bottom right of the stone.


The full length of the hieroglyphic text and the total size of the original stele, of which the Rosetta Stone is a fragment, can be estimated based on comparable stelae that have survived, including other copies of the same order. The slightly earlier decree of Canopus, erected in 238 BC during the reign of Ptolemy III, is 2,190 millimeters high (7.19 ft) and 820 mm (32 in) wide, and contains 36 lines of hieroglyphic text, 73 of demotic text, and 74 of Greek. The texts are of similar length. From such comparisons, it can be estimated that an additional 14 or 15 lines of hieroglyphic inscription are missing from the top register of the Rosetta Stone, amounting to another 300 millimeters (12 in). In addition to the inscriptions, there would probably have been a scene depicting the king being presented to the gods, topped with a winged disc, as on the Canopus Stele. These parallels, and a hieroglyphic sign for "stela" on the stone itself'


O26


The stele was erected after the coronation of King Ptolemy V and was inscribed with a decree that established the divine cult of the new ruler. The decree was issued by a congress of priests who gathered at Memphis. The date is given as "4 Xandikos" in the Macedonian calendar and "18 Mekhir" in the Egyptian calendar, which corresponds to 27 March 196 BC. The year is stated as the ninth year of Ptolemy V's reign (equated with 197/196 BC), which is confirmed by naming four priests who officiated in that year: Aetos son of Aetos was priest of the divine cults of Alexander the Great and the five Ptolemies down to Ptolemy V himself; the other three priests named in turn in the inscription are those who led the worship of Berenice Euergetis (wife of Ptolemy III), Arsinoe Philadelphos (wife and sister of Ptolemy II), and Arsinoe Philopator, mother of Ptolemy V. However, a second date is also given in the Greek and hieroglyphic texts, corresponding to 27 November 197 BC, the official anniversary of Ptolemy's coronation. The demotic text conflicts with this, listing consecutive days in March for the decree and the anniversary. It is uncertain why this discrepancy exists, but it is clear that the decree was issued in 196 BC and that it was designed to re-establish the rule of the Ptolemaic kings over Egypt.


The decree was issued during a turbulent period in Egyptian history. Ptolemy V Epiphanes reigned from 204 to 181 BC, the son of Ptolemy IV Philopator and his wife and sister Arsinoe. He had become ruler at the age of five after the sudden death of both of his parents, who were murdered in a conspiracy that involved Ptolemy IV's mistress Agathoclea, according to contemporary sources. The conspirators effectively ruled Egypt as Ptolemy V's guardians until a revolt broke out two years later under general Tlepolemus, when Agathoclea and her family were lynched by a mob in Alexandria. Tlepolemus, in turn, was replaced as guardian in 201 BC by Aristomenes of Alyzia, who was chief minister at the time of the Memphis decree.


Political forces beyond the borders of Egypt exacerbated the internal problems of the Ptolemaic kingdom. Antiochus III the Great and Philip V of Macedon had made a pact to divide Egypt's overseas possessions. Philip had seized several islands and cities in Caria and Thrace, while the Battle of Panium (198 BC) had resulted in the transfer of Coele-Syria, including Judaea, from the Ptolemies to the Seleucids. Meanwhile, in the south of Egypt, there was a long-standing revolt that had begun during the reign of Ptolemy IV, led by Horwennefer and by his successor Ankhwennefer. Both the war and the internal revolt were still ongoing when the young Ptolemy V was officially crowned at Memphis at the age of 12 (seven years after the start of his reign) and when, just over a year later, the Memphis decree was issued.


Stelae of this kind, which were established on the initiative of the temples rather than that of the king, are unique to Ptolemaic Egypt. In the preceding Pharaonic period it would have been unheard of for anyone but the divine rulers themselves to make national decisions: by contrast, this way of honoring a king was a feature of Greek cities. Rather than making his eulogy himself, the king had himself glorified and deified by his subjects or representative groups of his subjects. The decree records that Ptolemy V gave a gift of silver and grain to the temples. It also records that there was particularly high flooding of the Nile in the eighth year of his reign, and he had the excess waters dammed for the benefit of the farmers. In return the priesthood pledged that the king's birthday and coronation days would be celebrated annually and that all the priests of Egypt would serve him alongside the other gods. The decree concludes with the instruction that a copy was to be placed in every temple, inscribed in the "language of the gods" (Egyptian hieroglyphs), the "language of documents" (Demotic), and the "language of the Greeks" as used by the Ptolemaic government.


Securing the favour of the priesthood was essential for the Ptolemaic kings to retain effective rule over the populace. The High Priests of Memphis—where the king was crowned—were particularly important, as they were the highest religious authorities of the time and had influence throughout the kingdom. Given that the decree was issued at Memphis, the ancient capital of Egypt, rather than Alexandria, the center of government of the ruling Ptolemies, it is evident that the young king was anxious to gain their active support. Thus, although the government of Egypt had been Greek-speaking ever since the conquests of Alexander the Great, the Memphis decree, like the three similar earlier decrees, included texts in Egyptian to show its connection to the general populace by way of the literate Egyptian priesthood.


There can be no one definitive English translation of the decree, not only because modern understanding of the ancient languages continues to develop, but also because of the minor differences between the three original texts. Older translations by E. A. Wallis Budge (1904, 1913) and Edwyn R. Bevan (1927) are easily available but are now outdated, as can be seen by comparing them with the recent translation by R. S. Simpson, which is based on the demotic text and can be found online, or, best of all, with the modern translations of all three texts, with introduction and facsimile drawing, that were published by Quirke and Andrews in 1989.


The stele was almost certainly not originally placed at Rashid (Rosetta) where it was found, but more likely came from a temple site farther inland, possibly the royal town of Sais. The temple from which it originally came was probably closed around AD 392 when Roman emperor Theodosius I ordered the closing of all non-Christian temples of worship. The original stele broke at some point, its largest piece becoming what we now know as the Rosetta Stone. Ancient Egyptian temples were later used as quarries for new construction, and the Rosetta Stone probably was re-used in this manner. Later it was incorporated in the foundations of a fortress constructed by the Mameluke Sultan Qaitbay (c. 1416/18–1496) to defend the Bolbitine branch of the Nile at Rashid. There it lay for at least another three centuries until its rediscovery.


Three other inscriptions relevant to the same Memphis decree have been found since the discovery of the Rosetta Stone: the Nubayrah Stele, a stele found in Elephantine and Noub Taha, and an inscription found at the Temple of Philae (on the Philae obelisk). Unlike the Rosetta Stone, the hieroglyphic texts of these inscriptions were relatively intact. The Rosetta Stone had been deciphered long before they were found, but later Egyptologists have used them to refine the reconstruction of the hieroglyphs that must have been used in the lost portions of the hieroglyphic text on the Rosetta Stone.


Rediscovery


Napoleon's 1798 campaign in Egypt inspired a burst of Egyptomania in Europe, and especially France. A corps of 167 technical experts (savants), known as the Commission des Sciences et des Arts, accompanied the French expeditionary army to Egypt. On 15 July 1799, French soldiers under the command of Colonel d'Hautpoul were strengthening the defenses of Fort Julien, a couple of miles north-east of the Egyptian port city of Rosetta (modern-day Rashid). Lieutenant Pierre-François Bouchard spotted a slab with inscriptions on one side that the soldiers had uncovered. He and d'Hautpoul saw at once that it might be important and informed General Jacques-François Menou, who happened to be at Rosetta. The find was announced to Napoleon's newly founded scientific association in Cairo, the Institut d'Égypte, in a report by Commission member Michel Ange Lancret noting that it contained three inscriptions, the first in hieroglyphs and the third in Greek, and rightly suggesting that the three inscriptions were versions of the same text. Lancret's report, dated 19 July 1799, was read to a meeting of the Institute soon after 25 July. Bouchard, meanwhile, transported the stone to Cairo for examination by scholars. Napoleon himself inspected what had already begun to be called la Pierre de Rosette, the Rosetta Stone, shortly before his return to France in August 1799.


The discovery was reported in September in Courrier de l'Égypte, the official newspaper of the French expedition. The anonymous reporter expressed a hope that the stone might one day be the key to deciphering hieroglyphs. In 1800 three of the commission's technical experts devised ways to make copies of the texts on the stone. One of these experts was Jean-Joseph Marcel, a printer and gifted linguist, who is credited as the first to recognize that the middle text was written in the Egyptian demotic script, rarely used for stone inscriptions and seldom seen by scholars at that time, rather than Syriac as had originally been thought. It was artist and inventor Nicolas-Jacques Conté who found a way to use the stone itself as a printing block to reproduce the inscription. A slightly different method was adopted by Antoine Galland. The prints that resulted were taken to Paris by General Charles Dugua. Scholars in Europe were now able to see the inscriptions and attempt to read them.


After Napoleon's departure, French troops held off British and Ottoman attacks for another 18 months. In March 1801, the British landed at Aboukir Bay. Menou was now in command of the French expedition. His troops, including the commission, marched north towards the Mediterranean coast to meet the enemy, transporting the stone along with many other antiquities. He was defeated in battle, and the remnant of his army retreated to Alexandria where they were surrounded and besieged, the stone now inside the city. Menou surrendered on August 30.


From French to British possession


After the surrender, a dispute arose over the fate of the French archaeological and scientific discoveries in Egypt, including the artefacts, biological specimens, notes, plans, and drawings collected by the members of the commission. Menou refused to hand them over, claiming that they belonged to the institute. British General John Hely-Hutchinson refused to end the siege until Menou gave in. Scholars Edward Daniel Clarke and William Richard Hamilton, newly arrived from England, agreed to examine the collections in Alexandria and claimed to have found many artefacts that the French had not revealed. In a letter home, Clarke said that "we found much more in their possession than was represented or imagined".


Hutchinson claimed that all materials were property of the British Crown, but French scholar Étienne Geoffroy Saint-Hilaire told Clarke and Hamilton that the French would rather burn all their discoveries than turn them over, referring ominously to the destruction of the Library of Alexandria. Clarke and Hamilton pleaded the French scholars' case to Hutchinson, who finally agreed that items such as natural history specimens would be considered the scholars' private property. Menou quickly claimed the stone, too, as his private property. Hutchinson was equally aware of the stone's unique value and rejected Menou's claim. Eventually an agreement was reached, and the transfer of the objects was incorporated into the Capitulation of Alexandria signed by representatives of the British, French, and Ottoman forces.


It is not clear exactly how the stone was transferred into British hands, as contemporary accounts differ. Colonel Tomkyns Hilgrove Turner, who was to escort it to England, claimed later that he had personally seized it from Menou and carried it away on a gun-carriage. In a much more detailed account, Edward Daniel Clarke stated that a French "officer and member of the Institute" had taken him, his student John Cripps, and Hamilton secretly into the back streets behind Menou's residence and revealed the stone hidden under protective carpets among Menou's baggage. According to Clarke, their informant feared that the stone might be stolen if French soldiers saw it. Hutchinson was informed at once and the stone was taken away—possibly by Turner and his gun-carriage.


Turner brought the stone to England aboard the captured French frigate HMS Egyptienne, landing in Portsmouth in February 1802.[46] His orders were to present it and the other antiquities to King George III. The King, represented by War Secretary Lord Hobart, directed that it should be placed in the British Museum. According to Turner's narrative, he and Hobart agreed that the stone should be presented to scholars at the Society of Antiquaries of London, of which Turner was a member, before its final deposit in the museum. It was first seen and discussed there at a meeting on 11 March 1802.


In 1802, the Society created four plaster casts of the inscriptions, which were given to the universities of Oxford, Cambridge and Edinburgh and to Trinity College Dublin. Soon afterwards, prints of the inscriptions were made and circulated to European scholars. Before the end of 1802, the stone was transferred to the British Museum, where it is located today. New inscriptions painted in white on the left and right edges of the slab stated that it was "Captured in Egypt by the British Army in 1801" and "Presented by King George III".


The stone has been exhibited almost continuously in the British Museum since June 1802. During the middle of the 19th century, it was given the inventory number "EA 24", "EA" standing for "Egyptian Antiquities". It was part of a collection of ancient Egyptian monuments captured from the French expedition, including a sarcophagus of Nectanebo II (EA 10), the statue of a high priest of Amun (EA 81), and a large granite fist (EA 9). The objects were soon discovered to be too heavy for the floors of Montagu House (the original building of The British Museum), and they were transferred to a new extension that was added to the mansion. The Rosetta Stone was transferred to the sculpture gallery in 1834 shortly after Montagu House was demolished and replaced by the building that now houses the British Museum. According to the museum's records, the Rosetta Stone is its most-visited single object, a simple image of it was the museum's best selling postcard for several decades, and a wide variety of merchandise bearing the text from the Rosetta Stone (or replicating its distinctive shape) is sold in the museum shops.


The Rosetta Stone was originally displayed at a slight angle from the horizontal, and rested within a metal cradle that was made for it, which involved shaving off very small portions of its sides to ensure that the cradle fitted securely. It originally had no protective covering, and it was found necessary by 1847 to place it in a protective frame, despite the presence of attendants to ensure that it was not touched by visitors. Since 2004 the conserved stone has been on display in a specially built case in the center of the Egyptian Sculpture Gallery. A replica of the Rosetta Stone is now available in the King's Library of the British Museum, without a case and free to touch, as it would have appeared to early 19th-century visitors.


The museum was concerned about heavy bombing in London towards the end of the First World War in 1917, and the Rosetta Stone was moved to safety, along with other portable objects of value. The stone spent the next two years 15 m (50 ft) below ground level in a station of the Postal Tube Railway at Mount Pleasant near Holborn. Other than during wartime, the Rosetta Stone has left the British Museum only once: for one month in October 1972, to be displayed alongside Champollion's Lettre at the Louvre in Paris on the 150th anniversary of the letter's publication. Even when the Rosetta Stone was undergoing conservation measures in 1999, the work was done in the gallery so that it could remain visible to the public.


Reading the Rosetta Stone


Prior to the discovery of the Rosetta Stone and its eventual decipherment, the ancient Egyptian language and script had not been understood since shortly before the fall of the Roman Empire. The usage of the hieroglyphic script had become increasingly specialized even in the later Pharaonic period; by the 4th century AD, few Egyptians were capable of reading them. Monumental use of hieroglyphs ceased as temple priesthoods died out and Egypt was converted to Christianity; the last known inscription is dated to 24 August 394, found at Philae and known as the Graffito of Esmet-Akhom. The last demotic text, also from Philae, was written in 452.


Hieroglyphs retained their pictorial appearance, and classical authors emphasized this aspect, in sharp contrast to the Greek and Roman alphabets. In the 5th century, the priest Horapollo wrote Hieroglyphica, an explanation of almost 200 glyphs. His work was believed to be authoritative, yet it was misleading in many ways, and this and other works were a lasting impediment to the understanding of Egyptian writing. Later attempts at decipherment were made by Arab historians in medieval Egypt during the 9th and 10th centuries. Dhul-Nun al-Misri and Ibn Wahshiyya were the first historians to study hieroglyphs, by comparing them to the contemporary Coptic language used by Coptic priests in their time. The study of hieroglyphs continued with fruitless attempts at decipherment by European scholars, notably Johannes Goropius Becanus in the 16th century, Athanasius Kircher in the 17th, and Georg Zoëga in the 18th. The discovery of the Rosetta Stone in 1799 provided critical missing information, gradually revealed by a succession of scholars, that eventually allowed Jean-François Champollion to solve the puzzle that Kircher had called the riddle of the Sphinx.



Greek text


The Greek text on the Rosetta Stone provided the starting point. Ancient Greek was widely known to scholars, but they were not familiar with details of its use in the Hellenistic period as a government language in Ptolemaic Egypt; large-scale discoveries of Greek papyri were a long way in the future. Thus, the earliest translations of the Greek text of the stone show the translators still struggling with the historical context and with administrative and religious jargon. Stephen Weston verbally presented an English translation of the Greek text at a Society of Antiquaries meeting in April 1802.


Meanwhile, two of the lithographic copies made in Egypt had reached the Institut de France in Paris in 1801. There, librarian and antiquarian Gabriel de La Porte du Theil set to work on a translation of the Greek, but he was dispatched elsewhere on Napoleon's orders almost immediately, and he left his unfinished work in the hands of colleague Hubert-Pascal Ameilhon. Ameilhon produced the first published translations of the Greek text in 1803, in both Latin and French to ensure that they would circulate widely. At Cambridge, Richard Porson worked on the missing lower right corner of the Greek text. He produced a skillful suggested reconstruction, which was soon being circulated by the Society of Antiquaries alongside its prints of the inscription. At almost the same moment, Christian Gottlob Heyne in Göttingen was making a new Latin translation of the Greek text that was more reliable than Ameilhon's and was first published in 1803. It was reprinted by the Society of Antiquaries in a special issue of its journal Archaeologia in 1811, alongside Weston's previously unpublished English translation, Colonel Turner's narrative, and other documents.


Demotic text


At the time of the stone's discovery, Swedish diplomat and scholar Johan David Ă…kerblad was working on a little-known script of which some examples had recently been found in Egypt, which came to be known as demotic. He called it "cursive Coptic" because he was convinced that it was used to record some form of the Coptic language (the direct descendant of Ancient Egyptian), although it had few similarities with the later Coptic script. French Orientalist Antoine-Isaac Silvestre de Sacy had been discussing this work with Ă…kerblad when he received one of the early lithographic prints of the Rosetta Stone in 1801 from Jean-Antoine Chaptal, French minister of the interior. He realized that the middle text was in this same script. He and Ă…kerblad set to work, both focusing on the middle text and assuming that the script was alphabetical. They attempted to identify the points where Greek names ought to occur within this unknown text, by comparing it with the Greek. In 1802, Silvestre de Sacy reported to Chaptal that he had successfully identified five names ("Alexandros", "Alexandreia", "Ptolemaios", "Arsinoe", and Ptolemy's title "Epiphanes"), while Ă…kerblad published an alphabet of 29 letters (more than half of which were correct) that he had identified from the Greek names in the demotic text. They could not, however, identify the remaining characters in the demotic text, which, as is now known, included ideographic and other symbols alongside the phonetic ones.


Hieroglyphic text


Silvestre de Sacy eventually gave up work on the stone, but he was to make another contribution. In 1811, prompted by discussions with a Chinese student about Chinese script, Silvestre de Sacy considered a suggestion made by Georg Zoëga in 1797 that the foreign names in Egyptian hieroglyphic inscriptions might be written phonetically; he also recalled that as early as 1761, Jean-Jacques Barthélemy had suggested that the characters enclosed in cartouches in hieroglyphic inscriptions were proper names. Thus, when Thomas Young, foreign secretary of the Royal Society of London, wrote to him about the stone in 1814, Silvestre de Sacy suggested in reply that in attempting to read the hieroglyphic text, Young might look for cartouches that ought to contain Greek names and try to identify phonetic characters in them.


Young did so, with two results that together paved the way for the final decipherment. In the hieroglyphic text, he discovered the phonetic characters "p t o l m e s" (in today's transliteration "p t w l m y s") that were used to write the Greek name "Ptolemaios". He also noticed that these characters resembled the equivalent ones in the demotic script, and went on to note as many as 80 similarities between the hieroglyphic and demotic texts on the stone, an important discovery because the two scripts were previously thought to be entirely different from one another. This led him to deduce correctly that the demotic script was only partly phonetic, also consisting of ideographic characters derived from hieroglyphs. Young's new insights were prominent in the long article "Egypt" that he contributed to the Encyclopædia Britannica in 1819. He could make no further progress, however.


In 1814, Young first exchanged correspondence about the stone with Jean-François Champollion, a teacher at Grenoble who had produced a scholarly work on ancient Egypt. Champollion saw copies of the brief hieroglyphic and Greek inscriptions of the Philae obelisk in 1822, on which William John Bankes had tentatively noted the names "Ptolemaios" and "Kleopatra" in both languages. From this, Champollion identified the phonetic characters k l e o p a t r a (in today's transliteration q l i҆ w p 3 d r 3.t). On the basis of this and the foreign names on the Rosetta Stone, he quickly constructed an alphabet of phonetic hieroglyphic characters, completing his work on 14 September and announcing it publicly on 27 September in a lecture to the AcadĂ©mie royale des Inscriptions et Belles-Lettres. On the same day he wrote the famous "Lettre Ă  M. Dacier" to Bon-Joseph Dacier, secretary of the AcadĂ©mie, detailing his discovery. In the postscript Champollion notes that similar phonetic characters seemed to occur in both Greek and Egyptian names, a hypothesis confirmed in 1823, when he identified the names of pharaohs Ramesses and Thutmose written in cartouches at Abu Simbel. These far older hieroglyphic inscriptions had been copied by Bankes and sent to Champollion by Jean-Nicolas Huyot. From this point, the stories of the Rosetta Stone and the decipherment of Egyptian hieroglyphs diverge, as Champollion drew on many other texts to develop an Ancient Egyptian grammar and a hieroglyphic dictionary which were published after his death in 1832.


Later work


Work on the stone now focused on fuller understanding of the texts and their contexts by comparing the three versions with one another. In 1824 Classical scholar Antoine-Jean Letronne promised to prepare a new literal translation of the Greek text for Champollion's use. Champollion in return promised an analysis of all the points at which the three texts seemed to differ. Following Champollion's sudden death in 1832, his draft of this analysis could not be found, and Letronne's work stalled. François Salvolini, Champollion's former student and assistant, died in 1838, and this analysis and other missing drafts were found among his papers. This discovery incidentally demonstrated that Salvolini's own publication on the stone, published in 1837, was plagiarism. Letronne was at last able to complete his commentary on the Greek text and his new French translation of it, which appeared in 1841. During the early 1850s, German Egyptologists Heinrich Brugsch and Max Uhlemann produced revised Latin translations based on the demotic and hieroglyphic texts. The first English translation followed in 1858, the work of three members of the Philomathean Society at the University of Pennsylvania.


Whether one of the three texts was the standard version, from which the other two were originally translated, is a question that has remained controversial. Letronne attempted to show in 1841 that the Greek version, the product of the Egyptian government under the Macedonian Ptolemies, was the original. Among recent authors, John Ray has stated that "the hieroglyphs were the most important of the scripts on the stone: they were there for the gods to read, and the more learned of their priesthood". Philippe Derchain and Heinz Josef Thissen have argued that all three versions were composed simultaneously, while Stephen Quirke sees in the decree "an intricate coalescence of three vital textual traditions". Richard Parkinson points out that the hieroglyphic version strays from archaic formalism and occasionally lapses into language closer to that of the demotic register that the priests more commonly used in everyday life. The fact that the three versions cannot be matched word for word helps to explain why the decipherment has been more difficult than originally expected, especially for those original scholars who were expecting an exact bilingual key to Egyptian hieroglyphs.


Rivalries


Even before the Salvolini affair, disputes over precedence and plagiarism punctuated the decipherment story. Thomas Young's work is acknowledged in Champollion's 1822 Lettre à M. Dacier, but incompletely, according to early British critics: for example, James Browne, a sub-editor on the Encyclopædia Britannica (which had published Young's 1819 article), anonymously contributed a series of review articles to the Edinburgh Review in 1823, praising Young's work highly and alleging that the "unscrupulous" Champollion plagiarized it. These articles were translated into French by Julius Klaproth and published in book form in 1827. Young's own 1823 publication reasserted the contribution that he had made. The early deaths of Young (1829) and Champollion (1832) did not put an end to these disputes. In his work on the stone in 1904 E. A. Wallis Budge gave special emphasis to Young's contribution compared with Champollion's. In the early 1970s, French visitors complained that the portrait of Champollion was smaller than one of Young on an adjacent information panel; English visitors complained that the opposite was true. The portraits were in fact the same size.


Requests for repatriation to Egypt


Calls for the Rosetta Stone to be returned to Egypt were made in July 2003 by Zahi Hawass, then Secretary-General of Egypt's Supreme Council of Antiquities. These calls, expressed in the Egyptian and international media, asked that the stele be repatriated to Egypt, commenting that it was the "icon of our Egyptian identity". He repeated the proposal two years later in Paris, listing the stone as one of several key items belonging to Egypt's cultural heritage, a list which also included: the iconic bust of Nefertiti in the Egyptian Museum of Berlin; a statue of the Great Pyramid architect Hemiunu in the Roemer-und-Pelizaeus-Museum in Hildesheim, Germany; the Dendera Temple Zodiac in the Louvre in Paris; and the bust of Ankhhaf in the Museum of Fine Arts in Boston.


In 2005, the British Museum presented Egypt with a full-sized fiberglass color-matched replica of the stele. This was initially displayed in the renovated Rashid National Museum, an Ottoman house in the town of Rashid (Rosetta), the closest city to the site where the stone was found. In November 2005, Hawass suggested a three-month loan of the Rosetta Stone, while reiterating the eventual goal of a permanent return. In December 2009, he proposed to drop his claim for the permanent return of the Rosetta Stone if the British Museum lent the stone to Egypt for three months for the opening of the Grand Egyptian Museum at Giza in 2013.


As John Ray has observed, "the day may come when the stone has spent longer in the British Museum than it ever did in Rosetta." There is strong opposition among national museums to the repatriation of objects of international cultural significance such as the Rosetta Stone. In response to repeated Greek requests for return of the Elgin Marbles from the Parthenon and similar requests to other museums around the world, in 2002 over 30 of the world's leading museums—including the British Museum, the Louvre, the Pergamon Museum in Berlin and the Metropolitan Museum in New York City—issued a joint statement declaring that "objects acquired in earlier times must be viewed in the light of different sensitivities and values reflective of that earlier era" and that "museums serve not just the citizens of one nation but the people of every nation".


Idiomatic use


Various ancient bilingual or even trilingual epigraphical documents have sometimes been described as "Rosetta stones", as they permitted the decipherment of ancient written scripts. For example, the bilingual Greek-Brahmi coins of the Greco-Bactrian king Agathocles have been described as "little Rosetta stones", allowing to secure the first steps towards the decipherment of the Brahmi script by Christian Lassen, thus unlocking ancient Indian epigraphy. The Behistun inscription has also been compared to the Rosetta stone, as it links the translations of three ancient Middle-Eastern languages: Old Persian, Elamite, and Babylonian.


The term Rosetta stone has been also used idiomatically to represent a crucial key in the process of decryption of encoded information, especially when a small but representative sample is recognized as the clue to understanding a larger whole. According to the Oxford English Dictionary, the first figurative use of the term appeared in the 1902 edition of the Encyclopædia Britannica relating to an entry on the chemical analysis of glucose. Another use of the phrase is found in H. G. Wells' 1933 novel The Shape of Things to Come, where the protagonist finds a manuscript written in shorthand that provides a key to understanding additional scattered material that is sketched out in both longhand and on typewriter.


Since then, the term has been widely used in other contexts. For example, Nobel laureate Theodor W. Hänsch in a 1979 Scientific American article on spectroscopy wrote that "the spectrum of the hydrogen atoms has proved to be the Rosetta Stone of modern physics: once this pattern of lines had been deciphered much else could also be understood". Fully understanding the key set of genes to the human leucocyte antigen has been described as "the Rosetta Stone of immunology". The flowering plant Arabidopsis thaliana has been called the "Rosetta Stone of flowering time". A Gamma ray burst (GRB) found in conjunction with a supernova has been called a Rosetta Stone for understanding the origin of GRBs. The technique of Doppler echocardiography has been called a Rosetta Stone for clinicians trying to understand the complex process by which the left ventricle of the human heart can be filled during various forms of diastolic dysfunction.


The name has also become used in various forms of translation software. Rosetta Stone is a brand of language-learning software published by Rosetta Stone Inc., headquartered in Arlington County, US. "Rosetta" is the name of a "lightweight dynamic translator" that enables applications compiled for PowerPC processors to run on Apple Inc. systems using an x86 processor. It was later used for applications compiled for the Intel instruction set to be run on Macs built with Apple's ARM CPUs. "Rosetta" is an online language translation tool to help localization of software, developed and maintained by Canonical as part of the Launchpad project. Similarly, Rosetta@home is a distributed computing project for predicting protein structures from amino acid sequences (or translating sequence into structure). The Rosetta Project brings language specialists and native speakers together to develop a meaningful survey and near-permanent archive of 1,500 languages, intended to last from AD 2000 to 12,000. The European Space Agency's Rosetta spacecraft was launched to study the comet 67P/Churyumov–Gerasimenko in the hope that determining its composition will reveal the origin of the Solar System.